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  1. #OOLITE FULLSCREEN ARCHIVE#
  2. #OOLITE FULLSCREEN SERIES#

Samoylova was an artist in residence at Oolite Arts, Miami Mass MoCA Fountainhead Studios Latitude Chicago and Prairie Center for the Arts. Her work is included in the collections of the Perez Art Museum, Miami Museum of Contemporary Photography, Chicago and Art Slant Collection, Paris. Recent exhibitions include Salisbury University, MD Flowers Gallery, London Museum of Contemporary Photography Chicago, IL Purdue University, IN Milwaukee Institute of Art and Design, WI Griffin Museum of Photography, MA Aperture Foundation, NY and numerous festivals in Brazil, Belgium, France, Israel, Netherlands, China, and South Korea. In 2020, Samoylova’s work will be presented at the Wilhelm-Hack-Museum and Kunsthalle Mannheim, Germany, as part of the Biennale für aktuelle Fotografie Kunsthaus Wien in Vienna, Austria and in solo exhibitions at Galerie Caroline O’Breen in Amsterdam and Dot Fiftyone Gallery in Miami. Her book FloodZone was published by renowned international publisher Steidl in 2019.

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USF Contemporary Art Museum takes on climate change with two new solo exhibitions, by SK West - Creative Loafing, TampaĪnastasia Samoylova moves between observational photography, studio practice and installation. Environmental art exhibits open at the University of South Florida, by Maggie Duffy - Tampa Bay Times 2 Artists Highlight Oceans In Crisis During USF Museum Exhibits, by D'Ann Lawrenc White. 'FloodZone' Captures South Florida's 'Climate Anxiety' In Unexpected Ways, By Daniel Rivero - WLRN Miami In Florida, Anastasia Samoylova captures a tropical utopia on the brink of disaster, By Miss Rosen - Document Journal USF CAM solo exhibitions contribute to climate change conversation, By Julie Garisto - 83degrees FloodZone – Much Is Amiss In This Paradoxical Paradise, By Selina Roman - Bay Art Files Art for a Warming World: Sponge Exchange and FloodZone, By Antonia S. Anastasia Samoylova: FloodZone, By Danny Olda.

#OOLITE FULLSCREEN ARCHIVE#

Focusing on this tension between the fantasy promoted by economic interests and the physical realities of day-to-day life in a sinking environment, Samoylova’s images construct a contemporary visual archive of the physical measures and psychological impacts of the climate crisis and rising seas on South Florida’s shifting coastline.įloodZone is curated by Sarah Howard organized by USF Contemporary Art Museum and supported by an Oolite Arts grant, a grant from The Andy Warhol Foundation for the Visual Arts, and Dr.

#OOLITE FULLSCREEN SERIES#

The FloodZone series brings to the surface the seductive and destructive dissonance between the saturation of the tourism and real estate industries’ marketing images of a tropical paradise offering a luxury lifestyle with water views, while vulnerable properties and streets routinely experience high tide flooding, impacting the city’s infrastructure and the well-being of its residents. Informed by Samoylova’s focus on photography’s ability to obscure reality and craft perception, FloodZone also highlights the friction between natural and constructed landscapes by investigating the relationship among environmentalism, consumerism, and the picturesque.

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Her images capture the precarious psychological state of living in a paradise sinking towards catastrophe and reveal the role photography plays in generating collective memories and imagined geographies. USFCAM façade with Anastasia Samoylova's Gator (2017/2020) installation from the FloodZone series, and Hope Ginsburg and Sarah Howard's Bryde’s Whale and a Breathing Moon (2020) flag.įloodZone is the first solo museum exhibition to present Moscow-born, Miami-based artist Anastasia Samoylova’s ongoing photographic series that reflects and responds to the immediate impacts of sea level rise in South Florida.











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